Curating a Luxury Collection of Child Art

In this group of artists, intimacy, memory and abstraction intersect in different methods, but all share a sensitivity to the short lived: the neglected image, the half-remembered place, the unstable boundary between what we see and what we feel. Together, they form a peaceful but insistent meditation on how indicating accumulates in common life.

Taken together, rendered in her distinctive painterly style, these retellings of easily-forgotten moments demonstrate how a common life, when taken a look at from a particular point of view, starts to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and meaning, calling photographic truth into question by breaking down, recontextualising and repeating images. Balancing systematic precision with a noticeably human, always imperfect visual perceptiveness, his paintings are easy going abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings provide physical forms to images that we normally see through a screen andrapidly forget, such as stock pictures and ReCAPTCHAs. To me, her distinct language hazy, misshaped, subtly unsettling shows the alienation and dissociation inherent in a world saturated with imagery that appears to appear and disappear ever-more rapidly. A shadow, a handstand, a large drape draped over a houseplant: by photographing such things, he offers them a 2nd life in which they become permanent. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a particular ahistorical quality; they connect numerous histories of material experimentation and production from all over the world within a special visual language. They position the audience within landscapes that feel limitless with a low mist hanging over the horizon. Unfamiliar, these images are deeply tranquil, inviting you to revel in the basic pleasures of a perpetually twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window reflecting the carriage's interior over the passing landscape; a barely-visible vehicle hidden by an ochre-yellow drape appear deliberately strange. They make me think about the simultaneous absurdity and appeal of the world in front of me, thinking about familiar scenes through an unknown lens. Bianca MacCall Perpetual Motion, 2023 Henry Ward's painting practice is ever-shifting. In reality, if you stand in front of among his paintings for long enough, you might see it change in genuine time. The unclear, unpredictable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.