Curating a Private Luxury Gallery of Child Art

In this group of artists, intimacy, memory and abstraction converge in various methods, but all share a sensitivity to the fleeting: the ignored image, the half-remembered location, the unstable boundary in between what we see and what we feel. Together, they form a quiet but insistent meditation on how suggesting accumulates in normal life.

Taken together, rendered in her distinct painterly design, these retellings of easily-forgotten minutes show how an ordinary life, when taken a look at from a certain perspective, begins to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and significance, calling photographic fact into concern by breaking down, recontextualising and repeating images. Balancing organized precision with a definitely human, necessarily imperfect visual sensibility, his paintings are easy going abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings offer physical kinds to images that we generally see through a screen andquickly forget, such as stock photographs and ReCAPTCHAs. To me, her unique language hazy, distorted, subtly unsettling reflects the alienation and dissociation intrinsic in a world filled with imagery that appears to appear and vanish ever-more rapidly. A shadow, a handstand, a large curtain draped over a houseplant: by photographing such things, he provides a second life in which they become long-term. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a particular ahistorical quality; they link numerous histories of product experimentation and development from all over the world within a special visual language. They position the audience within landscapes that feel unlimited with a low mist hanging over the horizon. Though unfamiliar, these images are deeply tranquil, inviting you to delight in the easy satisfaction of a constantly twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window reflecting the carriage's interior over the passing landscape; a barely-visible vehicle concealed by an ochre-yellow drape appear intentionally strange. They make me believe about the simultaneous absurdity and beauty of the world in front of me, thinking about familiar scenes through an unknown lens. Bianca MacCall Continuous Motion, 2023 Henry Ward's painting practice is ever-shifting. In fact, if you stand in front of one of his paintings for enough time, you may see it alter in genuine time. The unsettled, unforeseeable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.